Tips on Traveling with your Canon 1Ds iii

July 24, 2010 by lorysanchez · Leave a Comment 

There’s nothing like having a great camera when traveling and Canon’s 1Ds iii is quite the gem to do so with. Whether your traveling to a tropical island, roaming the Mexican Riviera, train hopping thru Europe, or exploring the vast African expanse there are things to keep in mind when traveling with your 1Ds iii.

If you plan to fly the skies to your dreamy destination, always keep your 1Ds iii in your carry-on. You have quite an investment in your hands and you do not want to run the risk of your checked baggage being sent to Berlin while you arrive in Barbados and miss one of their incredible sunsets. Not to mention risking unscrupulous baggage handlers picking thru your luggage in search for such items. Your 1Ds iii is like your other child, keep her next to you. Flying solo and must use the lavatory? Add a lock to your bag while you’re gone. It’s not like you will be having a photo shoot during your flight.

If you plan on driving to your destination (or during as well), always keep your 1Ds iii inside a camera bag. Braking fast or hazardous road conditions will ensure it is most always safe. Never leave your 1Ds iii in plain sight while you pump gas or  walk into a convenience store. All it takes a minute for the common thief to swipe it. Exiting the car for a long period of time? Either take the 1Ds iii with you, or store it in the trunk.

One thing I find most disturbing when traveling (really anywhere for that matter) is how people will carelessly advertise their gear out in the open. Of course we all will whip out our camera while in front of the Eiffel Tower or the Golden Gate Bridge. Thieves are always on the look out for a prime target both in their gear and the holder of that gear. If you are the wear-my-camera-around-my-neck guy, toss to the side the Canon 1Ds iii camera strap and buy a strap with no wording, you are literally advertising to the thieves what you carry. Plus third party straps can be easier on the neck and more comfortable during a long tour.
If you like to keep your camera in a bag while not in use ( like myself), consider buying a bag that doesn’t look like a camera bag at all. There are several camera bag manufacturers that design bags that resemble backpacks or side wearing book bags, yet another deterrent for the picky thief.
Use common sense and be aware of your surroundings and your 1Ds iii will always be safe and add to a much happier trip.

One of the joys of traveling is talking with locals and perhaps learning something about their culture and country. You may yourself walk up to one to ask for directions or may be even approached by one. Either way, I recommend resting your hand on the bag housing your 1Ds iii. By constantly keeping your hand on the bag, you’ll ensure that there hasn’t been any weight change from an unseen thief carefully swiping your precious 1Ds iii (many times thieves work in packs). Thieves will probably recognize your vigilance and common sense and just move on.

These are just of couple of tips while traveling abroad to ensure the safety of not only your 1Ds iii but more importantly, yourself. Visiting far off places or perhaps the state next door can be very rewarding and exciting. Practice some common sense and 1Ds iii will do the rest with pictures

The Canon1Ds III at Night

July 24, 2010 by lorysanchez · Leave a Comment 

If you like night time photography, then the 1Ds iii is for you. The Canon 1Ds iii is nothing short of a rockstar when the sun goes down and the lights (or lack thereof) bring on the night.
Canon has a history of making cameras that perform well under low light and the 1Ds iii is no exception. With it’s high ISO capabilities at 3200, you will be amazed at  this bad boy of low light giving you images with real colors and virtually no noise.
Along with the use of a good strong and sturdy tripod (the body weighs 42.5 oz), the 1Ds iii will make you fall in love again with night time photography. Use your custom settings and set up your gear over city lights, over a bridge on a full moon,  or out in the starry desert, what the 1Ds iii will produce for you will want to make you a night owl and shoot all night long.
Speaking of low light and the its superior performance in such situations, the 1Ds iii is also the ideal DSLR for night time sporting events. Canon’s Mark series DSLRs are the top choice of most sport’s photographers around the globe, whether it be Cricket in India, the Super Bowl in America, or European futbol, the 1Ds Mark series dominated the field.
So you don’t have court side seating at the next Laker/Celtic show? That doesn’t mean you can not use this remarkable piece of equipment at your kids AYSO match or Little League game. Never again, miss a shot of your child tearing down the field because your point and shoot can’t focus in or properly zoom. Armed with a zoom lens, your 1Ds iii will amaze you in its lightning fast focusing and burst shutter speeds. Shooting up to 5 frames per second (fps) with up to 45 jpeg shots, you can rest assured that you without a doubt captured your first born sinking a 3 pointer, tackling the quarterback, or juking the goalie to score the game winner. The 1Ds will do that for you. And more.
Is your child’s Little League game at night? No problem, as stated before, the 1Ds iii is beyond well suited for night time sports.
Although comparing Major League lighting conditions to those of a Little League game in Small Town USA is not exactly nearly the same, the 1Ds iii will surprise you in its capability. Unlike all the parents stretching out their arms with less than able point and shoots trying to capture their young one in a sporting moment, you will be outputting images with bold colors and rich detail, while the rest retreat home with fuzzy and noisy shots that will go straight to the recycling bin.
Night time photography has most always been around, the introduction of digital cameras saw a drastic need in improvement in this field as images shot after dusk or low light were horribly noisy and fuzzy. it should come to no surprise that Canon  frog leaped the competition in improving low light technology in their cameras, particularly in their DSLRs and the 1Ds iii is the king

Canon 1Ds Mark III Accessories That Facilitate Optimum Performance

July 20, 2010 by lorysanchez · Leave a Comment 

The 1Ds Mark III from Canon is a remarkable piece of equipment that the true working professional photographer should own. Like all great pieces of fine machinery, quality accessories really make the product shine and facilitate optimum performance.

The following accessories, in no particular order, will optimize your use of the 1Ds III:

· Tripod

A good tripod is of the utmost importance when owning a DSLR, and because the 1Ds III is a beefy, solid camera, you must invest in a quality product that can tolerate the weight of the body and any lens you may have on, especially a long telephoto that will alter the center of balance when attached to the head.

· Head for your tripod

The Head is the unit that allows attachment of the 1Ds III to the tripod. This piece of equipment is equally important as well. There are all kinds of Heads, depending on what you shoot or plan on shooting. Heads can run into the several hundreds of dollars, but in the long run, it is a wise investment. Your 1Ds III cost you several thousand dollars, assuming you bought it new; you don’t want the head OR the tripod toppling over with your 1Ds III attached to it because you invested poorly on mediocre accessories.

· Filters

Again, depending on what your area of specialty is, Filters will enhance and/or help when you shoot. There are warming filters for fashion and wedding photographers, then there are polarizing and graduated neutral density filter for outdoor and landscape photography. Many will argue that very same filters mentioned above can be “created” in image editing program such as Photoshop, but the 1Ds III performs virtually flawlessly with filters, especially with high quality glass brands like Hoya and B+ W.

· Camera Bag

Yet another important accessory, if not the most important, is your Camera Bag. Why? It houses your 1Ds III during transport in the car, on the plane, or on your shoulder out in the mountains. Your most basic Camera Bag, or the one you use for everyday shooting, should be comfortable, allow for easy access of your 1Ds III when you “see” a shot, have plenty of pockets and zippers for storing accessories. Investing in more heavy duty Camera Bags is recommended for air or boat transport as traveling and weather conditions can vary. Comfort while exploring the great outdoors, is the most important aspect when choosing a Camera Bag. The 1Ds III can eventually be heavy along with any lenses you may want out on the field. A poorly chosen Camera Bag can really make your back ache and put a damper on your hike.

· Lens Cleaning Kit

Nothing will agitate a photographer more than dust bunnies, those small fuzzies that appear on your images while viewing them on the camera screen or computer monitor.

Although the 1Ds III does have an impressive self-cleaning sensor, it is not to say a dust bunny won’t make its way onto the sensor especially during windy conditions or while changing lenses. Even the 1Ds III needs a Lens Cleaning Kit. Make sure this kit comes with a high quality cleaning cloth, a cleaning solution, and a blower (a sort of mini turkey baster looking thing) in case you have a very persistent rabbit on the sensor. By no means whatsoever should you ever use compressed air cans to clean your 1Ds III, especially the sensor. Use a the blower that comes with your kit. For more cumbersome dust issues, consult an authorized Canon dealer to service your 1Ds III.

Differences Between Candid Photography and Professional Photographic Portraits

June 28, 2010 by lorysanchez · Leave a Comment 

When discussing types of pictures that can be taken by a professional photographer, there are two main types. Candid photography lends a more personal feel to each photo, and captures life as it is happening. Professional photographic portraits on the other hand, are more about chronicling an event, and preserving it on film in a staged manner. Each method has its own place and time in which it is most appropriate, and the information below will provide you with the main differences between the two styles.

Positioning and Appearance

One of the main differences between candid photography and photographic portraits is in the way they are positioned, and in the way that they appear. Candid photographs are taken on the go when life is happening, and present pictures of an event as it was. Professional photographic portraits however, are staged using sets, props, and a predetermined position. These photographs capture an image and preserve it in the way that it was positioned to look.

The appearance of these two types of photography are quite different, in fact, candid photography can often look like it was not done by a professional at all. It can sweep you away, and remind you of a past event with it easy appearance and candid positioning.

Photographic portraits preserve things in their perfect condition. They allow you to look your best, or capture something or someone in an ideal way. Often, when somebody goes to a professional photography studio or hires a professional photographer, they will opt to have both forms of photography used. That is because while different, these two styles both have their own merits and value.

Equipment That is Used

Another major difference between candid and photographic photography is the equipment that is used for each. Candid photography is usually done with much lighter weight equipment. There is often no need for a tripod, lights, and certainly not backgrounds or props. It is often done outside with natural backdrops, and usually on the go.

Professional photographic photography is quite different on the other hand. It requires the use of heavy equipment, large tripods, elaborate lighting, props and backgrounds, and often other items as well. The idea behind photographic photography is to make an object or person look their very best, and a variety of measures and tools are used to achieve this.

When They Are Used

When looking for differences between candid and photographic photography is important to explore the difference between when they are both used. For instance, photographic photography is better suited for taking still photos that you wish to look professional and staged. These might be wedding photos, children’s photos, family photos, or even pictures for cards or invitations.

Candid photography however, is generally used to capture the action of an event. That is why candid photography is often used to capture wildlife, sporting events, wedding receptions, or even news events.

While each of these photography styles has various times and places that they can be used. It is also possible for them to be used in the same situation at roughly the same time. In the example of a wedding, before hand you may wish to have photographic pictures of the wedding party taken. However, during and after the wedding you may wish for a photographer to use candid photography to capture the action in every moment of the day.

Both candid and professional photographic photography have their benefits and appropriate times to be used. While there are differences in these two styles of photography, they both require the skill of a professional photographer in order to present a beautiful finished product. When you know the differences between these two styles of photography, you can make the choice of which one is best for you.

At Momento Photoworks, our primary focus is to offer the highest quality of photography, products, and customer service to our clients. We enjoy what we do, and that shows in our beautiful portraits! To learn more about our Markham photo studio, visit TheMomento.com.

Article Source: http://EzineArticles.com/?expert=Tassos_Makrakis

Canon EOS 5D Mark II DSLR Camera

June 28, 2010 by lorysanchez · Leave a Comment 

In conjunction with Canon boast ‘defined a new DSLR category’ back in 2005, Canon released their EOS 5D model. The Canon EOS 5D model was the first ‘full frame’ sensor camera with a compact body; namely not having an integral vertical grip and have been very popular among camera enthusiasts mainly because it is less bulky then Canon EOS-1D, if you are looking for a full frame DSLR to use with your Canon lenses. With Sony DSLR-A900 and Nikon D700 in the market, it is timely for Canon to upgrade their EOS 5D model to Mark II.

Canon EOS 5D Mark II, is superior in terms of both resolution and features such as 21 mega-pixels, 1080p video, 3.0 VGA LCD, Live View, higher capacity battery and many others. In other words, this camera has surpassed both its direct competitors in terms of resolution (Nikon D700) or features (Sony DSLR-A900).

The Canon EOS 5D Mark II is equipped with Live View and anti-dust features as well. Other improvement from its predecessor are the DIGIC 4 processor; with 14-bit analogue to digital conversion. This DIGIC 4 has allowed Canon to slightly improve on the original Canon EOS 5D’s 3fps continuous shooting rate to a new rate of 3.9fps.

Aside from capturing high quality still pictures it is also the first Canon’s DSLR to boast video recording. The Canon EOS 5D Mark II is able to record video in full High Definition (HD) of 1920 x 1080 pixels (1080p) at 30fps. This is also the first DSLR to record video in glorious full HD and definitely best quality video recording by a still camera. Other improvement comprise of LCD screen size of 3 inch with 920k dot / VGA resolution. Owners of HDTV will be pleased that there is HDMI port for direct connection to HDTV at 1920 x 1080 pixels resolution.

As for more traditional photographic features, the Canon EOS 5D Mark II offers an improved viewfinder with 98% coverage, a shutter rated to 150k cycles and 9-point AF system with 6 AF assist points. This definitely the must have for all camera enthusiasts.

Following are Canon EOS 5D Mark II full features:

21 megapixel CMOS sensor (very similar to the sensor in the EOS-1D Mark III)

Sensor dust reduction by vibration of filter

ISO 100 – 6400 calibrated range, ISO 50 – 25600 expansion (1Ds Mark III & 5D max ISO 3200)

Auto ISO (100 – 3200) in all modes except manual

3.9 frames per second continuous shooting

DIGIC 4 processor, new menus / interface as per the EOS 50D

Image processing features are:

1. Highlight tone priority

2. Auto lighting optimizer (4 levels)

3. High ISO noise reduction (4 levels)

4. Lens peripheral illumination correction (vignetting correction)

RAW and SRAW1 (10 MP) / SRAW2 (5 MP)

RAW / JPEG selection made separately

Permanent display of ISO on both top plate and viewfinder displays

AF micro adjustment (up to 20 lenses individually)

Three custom modes on command dial, Creative Auto Mode

Image copyright metadata support

98% coverage viewfinder (0.71x magnification)

3.0 920,000 dot LCD monitor with ‘Clear View’ cover / coatings, 170

Digital Photography – Digital Cameras and Its Benefits

June 27, 2010 by lorysanchez · Leave a Comment 

Although photography has been in the market for quite some time, some people still ask “how much it’s going to cost me?”, “what a digital camera can do?” and “why do I need photography?”

Let’s look at each of them in detail:

As digital photography is getting more popular, things are going to get cheaper. One of the reasons is that manufacturers are competing for market share and they are more likely to launch cheaper cameras with more functions. Just look at the compact digital camera in the market now, you can get a camera with at least 9 megapixels and 10x optical zoom at the price of less than $300. Even the DSLR cameras nowadays are getting more and more affordable.

Also when competitions are getting stronger, manufacturers will try to make cameras with as many features as possible. It is like an unwritten rule that compact digital cameras nowadays must be able to record video and audio. When you launch a point and shoot camera without this feature, your potential clients might not even want to look at it.

Also some digital cameras nowadays are equipped with sophisticated editing software and touch screen capability. You can now add stars, fog it up or add other wacky stuff on the camera.

Since you can operate your camera with touch screen, you can expect that one day, you will see the LCD screen big enough to occupy the back of your camera. Can you imagine how much fun it is to look at your pictures in such a big screen and it will be more breath taking when the manufacturers throw in wide angle lens together.

Now, when you are going into digital photography, it is only logic that you have a digital camera. Photography is more than a hobby. It is about keeping the memory of that special moment. You want to remind yourself that you were once there at that period. You want to be able to show your child that you were young once and how life was back then. It is a different experience when you look back at your photos 10 years ago. Go have a look at them now.

Do you enjoy taking photos? Do you want more digital photography tips and techniques? Just visit

=> http://www.learn-digitalphotography.blogspot.com

Michael Wong is happy to share his knowledge about digital photography with you and hope you enjoy them.

Article Source: http://EzineArticles.com/?expert=Michael_Poh_Wai_Wong

Specialized Styles of Photography

June 26, 2010 by lorysanchez · Leave a Comment 

Outlined below is a list of genres that call for specialized treatment in the process of creating outstanding photographs. These thematic approaches will be discussed in detail here, though there are few more categories and sub-categories in thematic photography like ad messages, corporate brochures, under-water photography and so on.

–Wildlife photography

–Landscape photography

–Sports events

–Photo-journalism

–Fashion photography

–Black & White treatment

–Shooting Celebrities

–>Wildlife Photography

Wildlife photography is often assumed to be an exciting and high adventure genre of photography. In reality it is extremely challenging and wildlife photographers find themselves at the mercy of inclement weather and sometimes even face danger. Here are some suggestions for this specialized form of photography.

Understand the life form that you plan to photograph in terms of living habits, habitat and behavior. In other words you need a perspective on ‘a day in the life of’ your wildlife subject. Books and online research will throw light on your subject. The importance of getting acquainted with the behavior of the animal is a lot more important when you have to shoot dangerous jungle animals that can attack like lions or tigers or even bears. Animals will become aware of you when you enter close to their habitat but will usually not attack if you keep your distance. But you have to be clear on the distance at which an animal will begin to feel threatened by your presence and decide to attack you.

It goes without saying that you can’t expect any kind cooperation from your subject! You have to fit yourself in, place yourself in a vantage point and have your camera set and ready and then wait for the ‘right moment’ to take the shot that you are looking for.

You may have to wait many days before you can capture the right shot. Your subject could not care less if the light is diminishing or the light is at its best. You may have perfect light conditions on a particular day but your subject may not be in the right spot for you to take the shot.

You need telephoto lenses to shoot from a distance and other camera features like Center-weighted metering. The Center-weighted meter allows you to meter the wildlife subject at the center of the frame and vary the size of the sensing area based on the dimensions of the subject and its distance from you.

–>Landscape Photography

Taking landscape pictures within a city from atop a building or on the beach is one type of landscape photography. But if you want to get closer to nature and shoot unique pictures of nature and environment in remote locations like wild forest area or mountain ranges, then you have your task cut out for you just like a wildlife photographer. You need the spirit of adventure within you in order to travels around to different places and scour different regions for landscape opportunity.

It is tough to firstly identify the right spots, you may have to explore for days before you find an idyllic panoramic landscape to shoot. You then have to wait for the right light conditions while braving the weather and the rough living conditions. In terms of equipment, landscape photographers need to go in for a variety of wide-angle lenses since this type of lens is capable of lending depth in the photograph. A wide-angle zoom lens is useful in this type of photography because of the range of focal lengths it can provide while fine-tuning a shot. But there is also the need for telephoto lenses for certain shot though not of the high focal length required by sports photographers. Landscape photographers usually go in for telephoto lenses with focal length less than 300mm (a telephoto lens has a focal length greater than 50mm, a wide angle lens is less than 50mm, and a standard lens has a focal length of 50mm).

–>Sports Events

Those who have made a career of photographing sporting events have a different style of operation to capture the high action of dramatic moments in a game. The length of the lens, the location of the photographer taking the shot and the need to limit blurring are the three critical aspects in sports photography.

Sports photographers use a telephoto lens. This type of lens magnifies the subject. The focal length to choose from in telephoto lenses varies from 60mm to 1000 mm. A lens with a high focal length can give you a wider visual area which is a necessity when you photograph field events. Sports photographers by and large prefer 35mm cameras and use focal lengths of 300-600mm especially for field events like soccer.

The location where photographers position themselves to take different shots is directly responsible for capturing the relevant high-points in a match. It also helps if you have a good knowledge of the sport. This ensures that you identify the right moments and are alert and ready when a memorable situation occurs during the sport. You can get the right shots if you are able to move around and use the right location in different points in a game. However, quite often the areas of movement are restricted for photographers and the best way to tide over this problem is to use a lens of focal length in the region of 600mm to enable shots of the far end of a court or field. Though a good location is usually described by the angle and distance from the court or field, the other aspect of a good location is also the play of light from your vantage point. Most photographers have the task of avoiding shadows caused by the quality of light. The intensity of color in a photograph is reduced in dull light conditions while bright sunlight can create shadows in certain angles.

To limit blurring and capture action during a special game moment, you need to have fast shutter speeds at your disposal. A 35mm camera that is generally favored in sports photography can provide the high shutter speed necessary for action shots. Besides shutter speed, the speed of the film also plays a role. Higher film speed enables higher shutter speeds. A film speed of 100 is inadequate in sports photography. You need a 400 and above speed film.

The autofocus mechanism in is also useful in sports photography especially when manual focus is difficult to achieve quickly in certain sports situations.

An interesting technique called panning is applied in capturing action shots. You have to avoid holding the camera still when you shoot action. A rule-of-thumb is to hold the camera steady but move it along with the action rather than attempting to hold still. This steady movement of the camera along the path of motion of the player; incredibly, has the effect of minimizing blur. On the other hand, you will get a blur if you hold your camera still while the action is taking place. This technique is actually based on sound scientific principles.

It should also be mentioned here that the art of sports photography actually goes beyond capturing action or high points in a game. The readers who view these photographs in newspapers and magazines want to see player expressions, the thrills, the disappointments, the concentration that players display is something that readers find captivating and it becomes a talking point. Readers also like to see crowd reactions and reactions of family members of the players in certain critical game situations. To cater to the public sentiment, a photographer has to also attempt to click these special poignant moments during a game by capturing reactions and facial expressions.

–>Photo-journalism

Photojournalism is a different ball game altogether. It is visual storytelling. It has a strong social and cultural context and is a visual form of reportage based on newsy and current affairs topics. Being in the right place at the right time and understanding the situation as it unfolds helps a photojournalist deliver reader interest material. The objective is to usually pick up contemporary topics and portray a visual story that creates an understanding on the pattern in which people live their lives or social changes that impact them in different walks of life. Photojournalism also lends credibility to the written word and can support a public interest story with visual proof. The visuals complement the written reportage on the story.

A visual representation of contemporary situations is a powerful way to make a point and the photographer who is into photojournalism has to be a firstly aware of the socio-political and cultural scene of a region to be able to shoot the relevant pictures. The equipment required by photojournalists varies by the type of story they pursue. If a photojournalist is picking up images of a town or if the photography is the type that portrays cultural and historical sites, or if the task is to follow the campaign trail of a political leader, each of these require a different treatment.

–>Fashion Pictures

A fashion photographer needs to be a creative thinker with a good eye for aesthetics and the ability to use sound judgment in implementing out-of-the-box ideas. Fashion photography is meant to render an elegant, stylish effect on readers so the mundane and the run of the mill shots will not work. Each photograph is a piece of art in itself and has to be original.

Creating an impact in fashion photography requires the photographer to take a leap in imaginative thinking and to create images that are different and unusual. The treatments that have been tried over the years range from the surreal to muted black and whites, to geometric shapes to brilliant color schemes. A fashion product has to be portrayed creatively while at the same time conveying style and classiness. A fashion photographer needs a high level of visual sophistication combined with ideation skills. It also helps to try and understand the psyche of models that fashion photographers have to regularly interact with, in order to get the best out of them. Your choice of camera and accessories will vary depending on whether you shoot indoor or outdoor, light conditions, theme of the picture, etc.

–>Black and White Treatment

The black and white effect is used by artists and fashion photographers to create abstracts or classy ‘other worldly’ images. The camera equipment required in black & white is not very distinct from other types of photography but the key actually lies in the processing and printing quality. This is an important area of emphasis in black & white photographs in order to get the desired effect.

You will need an assortment of lenses for different situations – such as a combination of wide-angle lens as well as a standard lens. If you want large prints, you may need a camera with a high-resolution digital image sensor for sharpness of large format prints. The resolution should be more than 3 mega pixels.

Whether you develop your photographs in the darkroom (traditional film based camera) or process the pictures digitally (digital camera usage), when you develop the picture yourself you have the leeway to heighten or reduce the contrasts in tour picture based on the type of impression and visual impact you hope to create. You can also scan from traditionally processed negatives onto a computer and then process the images digitally.

To fine-tune the images digitally you need some basic knowledge of Photoshop software. Without manipulating the main picture in any way, you can enhance your black and white images by fine-tuning the contrasts. Photoshop assists in optimizing the images. The principles are the same as those used in a traditional darkroom. Using Photoshop you can apply various techniques like dodging (you selectively lighten a certain portion of a photo), cropping, optimizing density and fine tuning the contrasts. Fine tuning the contrasts is important in creating the right effect in black and white.

The print quality is another important factor in creating high impact black & white photographs. If you intend to print digitally processed images, you need a good printer and long lasting ink in your printer. You should also use photo quality paper to print your images.

–>Shooting Celebrities

Celebrity photography is challenging and the same time an exciting, glamorous field. When you deal with celebrities, firstly you have very little time to work within. There is always a time constraint even after you pin down a celebrity for a photo session. You have to therefore have good infrastructure and be ready with the necessary equipment. You have to plan the shot and adjust your camera, before asking your celebrity to pose.

Celebrity faces are well known so the key lies in attempting to capture something a little different, to create a different perspective. You need to build a good rapport with the celebrity and have to persevere to get the right mood to capture the real essence of the person. If you are photographing the celebrity for an ad, then the strategy behind the ad has to be considered to blend in the celebrity’s expressions and posture to suit the requirements of the ad.

To sum up, the discussion – Wildlife photography requires you to brave rough conditions and thoroughly understand the habitat and behavior of the animal. The relevant and useful tools in your camera system are the right lenses and center-weighted metering if you are into shooting wildlife. Landscape photography requires you to be a wandering explorer, constantly seeking out those spectacular scenic settings. You mainly need wide-angle lenses in your camera system to demonstrate depth and scale in your picture. Sports events need a good vantage point and if you want to freeze the high action in the game, you have to learn and hone the skill of panning. Photojournalism calls on your social and political consciousness and is the art of visually unfolding a story, while Fashion photography requires ideation and out-of-the-box thinking. The impact of Black & White treatment can be heightened during the processing phase using various techniques and, Celebrity photography is not all glamour. Capturing the right mood and the essence of the celebrity becomes the key to a good shot and you often work within time constraints.

It is apparent that different photography streams each have their own specialized approaches and style of treatment. Your mind-set and your interests should influence the path that you choose as a photographer.

Article Source: http://EzineArticles.com/?expert=Christopher_Haslego

The Era of Digital Photography

June 25, 2010 by lorysanchez · Leave a Comment 

Digital photography could be described as a form of photography that utilizes digital technology to make digital images of subjects. It is indeed one of several forms of digital imaging. It has been adopted by many amateur snapshot photographers who take advantage of the convenience of the form when sending images by email, placing them on the internet or displaying them in digital picture frames. The technology was used in astronomy long before its use by the general public and had almost completely displaced the existence of photographic plates.

However, with the acceptable image quality and other advantages of digital photography the majority of professional news photographers have begun capturing their images with digital cameras. Some other commercial photographers and many amateurs have finally embraced digital photography because they believe that its flexibility and lower long term costs outweigh its initial price disadvantages.

Advantages of digital photography over traditional film includes, instant review of pictures with no wait for the film to be developed. If there is a problem with a picture, the photographer can immediately correct the problem and take another picture. Minimal on going costs for those wishing to capture hundreds of photographs for digital uses, such as computer storage and e-mailing but not printing. If one already owns a newer computer, permanent storage on digital media is considerably cheaper than film.

Photos may be copied from one digital medium to another without any degradation. Pictures do not need to be scanned before viewing them on a computer and the ability to print photos using a computer and consumer grade printer. Ability to embed metadata within the image file such as the time and date of the photograph, model of the camera, shutter speed, flash use and other similar items to aid in the reviewing and sorting of photographs.

Actually, the increasing popularity of products such as digital photo frames and canvas prints is as a result of the increasing popularity of digital photography. Moreover, some commercial photographers and amateurs interested in artistic photography have been resistant to using digital rather than film cameras because they believe that the image quality available from a digital camera is still inferior to that available from a film camera and the quality of images taken on medium format film is near impossible to match at any price with a digital camera.

The film photography requires continuous expenditure of funds for supplies and developing, although the equipment itself does not outdate so fast and has a longer service life. To be honest and realistic, what is not commonly understood is that digital photography and photos that speak directly to the customer is a critical and absolutely part of print communication.

Indeed, film cameras have limited ability to handle meta data, though many film cameras can also imprint a date over a picture by exposing the film to an internal LED array or other device which displays the date. Film should be stored under archival conditions for maximum longevity. This should not be a problem for digital images as perfect copies can be made and stored elsewhere. Film images can also easily be converted to digital with some possible loss of quality.

Finally, the technology of digital photography has put the process of developing and processing pictures into the hands of the consumer. Almost all of the cost of digital photography is capital cost, meaning that the cost is for the equipment needed to store and copy the images and once purchased, it virtually requires no further expense. It is also very important to know that the differences between film and digital photography are far less significant than the differences between painting and film photography. Digital photography has finally come of age.

Obinna Heche. Los Angeles – California

For information on digital and film photography and more visit.

Digital Photography

Article Source: http://EzineArticles.com/?expert=Obinna_Heche

Compare Canon Digital SLR Cameras

June 24, 2010 by lorysanchez · Leave a Comment 

The Canon EOS-1Ds Mark III and EOS-1D Mark III have some of the finest features, but the IDs Mark III is a 21.1 megapixel full frame SLR digital camera while the ID Mark III is a 10.1 megapixel SLR digital camera. The IDs shoots five frames per second while the ID shoots 12 frames per second. The comparison between the camera s for RAW images and full resolution pictures is 12 RAW and 56 full resolutions for the IDs and 30 RAW and 110 full resolutions for the ID. Both cameras have a three-inch LCD screen. The best camera between the two is the EOS-ID Mark III.

The Canon EOS 5D Digital, EOS 40D Digital and the EOS 30D Digital cameras have different features and prices. The EOS 5D shoots 60 full resolutions and 17 RAW, the 40D shoots 75 full resolutions and 17 RAW and the 30D shoots 30 full resolution pictures and 11 RAW. The 30D and the 5D have 2.5-inch LCD screens and the 40D has a 3-inch LCD screen. The megapixels for the 40D are 10.1 while the megapixels for the 30D are 8.2 and 12.8 megapixels for 5D. The best camera for megapixels and resolution is the Canon EOS 5D.

The Digital Rebel XTi and the Digital Rebel XT SLR cameras are comparable in price, but for the features and megapixels, they are very different. The XTi provides 10.1 megapixels while the XT has 8 megapixels. The XT does have a DIGIC II image processor but so does the XTi. The frame burst is different on each with the XT 14 and the XTi having 27. The best camera for the Canon Rebel is the Canon Rebel XTi.

Between all the Canon SLR cameras listed here, the best camera is the Canon EOS-1Ds Mark III.

Of course, Canon is just one player in the field of digital SLR cameras. Nikon has some pretty nice models to look at, as do Pentax and Olympus. Name brand loyalty is important if you have a lot of accessories and lenses that only work with a specific brand. It’s also something to consider, as your collection of camera stuff grows over the years.

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Canon EOS Camera Linup

June 23, 2010 by lorysanchez · Leave a Comment 

The Canon EOS System is composed of Canon EOS camera bodies, lenses, Speedlite external flashes and several lens and camera accessories. This article will discuss the current line-up of Canon EOS camera bodies.

Canon has varied line-up of nine digital SLR camera models. The current production line-up includes four entry-level, three mid-level and two professional level bodies, though some would argue, the Canon EOS 5D should in fact be considered a pro level body. Only the lack of a weather-sealed body keeps it out of the professional ranks, although none would argue that its image quality is certainly up to “pro” standards. Of course, these level designation refer to the camera’s features. There are numerous professional shooters using Rebel XTs and 40Ds. On the other hand, even 1Ds Mark III in inexperienced hands can produce rather poor images.

Entry level Canon EOS Cameras

Canon EOS Rebel XS (Canon EOS Rebel 1000d) – Canon’s newest entry level DSLR. Canon apparently created an entirely new level of entry level camera. Combines features from the last three Rebel models. Features a new 10.1 Megapixel CMOS APS-C format sensor, a seven-point auto-focus system, and continues the trend of recent Canon EOS models by incorporating a 2.5 inch LCD Live View screen.) – Canon’s oldest entry level DSLR, and is believed to be in the last stages of production. 8.0 Megapixel CMOS APS-C format sensor and a seven-point auto-focus system.

Canon EOS Rebel XT (Canon EOS Rebel 350D

Canon EOS Rebel XTi (Canon EOS Rebel 400D) – Replaced the Rebel XT. 10.1 Megapixel CMOS APS-C format sensor and an new nine-point auto-focus system. Also benefits by the addition of a larger 2.5 inch LCD screen.

Canon EOS Rebel XSi (Canon EOS 450D) -Replaced the Rebel XTi. 12.2 Megapixel CMOS APS-C format sensor and a refined nine-point auto-focus system. Also includes a brighter 3 inch LCD screen with new Live-View technology.

Mid-level Canon EOS cameras

Canon EOS 30D – Replaced the older Canon EOS 20D. 8.2 Megapixel CMOS APS-C format sensor, improved nine-point auto-focus system, and a step up from the 20D with a larger 2.5 inch LCD Screen.

Canon EOS 40D – First Canon DSLR to include the new Live-View technology. Users could for the first time, compose their shoots without having to look through the viewfinder. Received a larger 3 inch LCD screen. 10.1 Megapixel CMOS APS-C format sensor, nine-point-point auto-focus system.

- Canon EOS 5D – Full-frame .12.8 Megapixel DSLR features a nine-point auto-focus system and a smallish 2.5 inch LCD screen. Since the 5D is a full-frame camera there is no lens focal length conversion factor. Canon EF-S lenses will not work on this body.

Professional Level Canon EOS Cameras

Canon EOS 1D Mark III – The top of the line for professional sports shooters with its 10fps frame rate. 10.1 Megapixel APS-H format sensor, 45-point auto-focus system, and a new 3 inch Live-View LCD screen. Being a professional level camera, it also get a fully weather-sealed, magnesium body.

Canon EOS 1Ds Mark III – The ultimate Canon DSLR A professional level camera in every sense of the word. 21.1 Megapixel full-frame sensor, new 3 inch Live View LCD screen, and a 45-point advanced auto-focus system. Uses two DIGIC III processors. Easily the most advanced Canon EOS Camera so far.

Canon EOS Camera System

Each Canon EOS camera is designed to work with other components of the Canon EOS DSLR System. This includes an extensive line of Canon EF and EF-S mount lenses, as well as several models of external flash units and macro flash units. The Canon EOS Camera System is the most complete line-up of DSLR camera bodies in existence today.

Jim Back currently writes on several varied topics ranging from photography to politics. For more of his work, and in particular more information on Canon cameras, please be sure to visit his website dedicated to Canon EOS Cameras

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